As supervising sound editor for this film my task was to create a beautiful soundscape set in the woods of Michigan in the dead of winter. Very minimal music and minimal dialogue. I did the Dialogue editorial, SFX editorial, Sound Design and Mixing for the film.

I collaborated with Brett Bach and Ken Cain at Sound Brigade, They shot all the ADR and cut the BG/Atmos  which created the vibe and feel of the film.

I also collaborated with a good friend Andy Snavley (Supervising Foley Artist) at Bendy Music . He oversaw his team consisting of Brian Golub (Foley Artist) and Jae Kim (Foley Artist).